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Rachel Messick

manicurist

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From Day Dream to Day Job

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Today is the one year anniversary of making the day dream the day job. If you know me or follow me on other forms of internet media, this isn’t a new story. It’s one that I tell often and will likely commemorate every year. Sometimes you spend your life trying to climb to the top of the ladder only to realize not only that you’re on the WRONG ladder, but that ladder is leaning against the WRONG wall too.

The corporate world was the final phase of my journey on the makeup side of the beauty industry. While I was in college, I saw a picture on IMDB of Orlando Bloom getting his makeup touched up and I was like, oh wait, there’s a career to be had in beauty SIGN ME UP. After college I moved to Los Angeles, went to makeup school and started working as a freelance makeup artist.

I never hit celeb status but I worked pretty consistently and had some amazing clients. Then I got older, truly out in my own and I got tired of chasing invoices (if you’re wondering when I became such a stickler about saving, planning and and running a small biz- it’s because in my 20s I literally made ALLL of the mistakes). So I thought, ok, new path, find a brand you can back and work your way up. I worked my way up from retail until I got that corporate dream job, a job that was LITERALLY made for me. But the problem is, the shoe just NEVER fit. I always felt like I just couldn’t GET corporate culture and to be honest corporate culture didn’t get me either. It took me YEARS to figure that out. It wasn’t all bad, I met some amazing people that will for sure be lifelong friends and I got to pretty much make New York a second home (speaking of New York, I’m long overdue for a visit).

Even though the corporate world and I were not good bedfellows, there was no doubt in my mine that I was meant to be in the beauty industry and to make my living as a creative and I just had to trust that the right path would present itself- I just had to follow my gut and trust the process. 


Years ago I became fascinated with nails and started buying all of the things, staying up all hours practicing, absorbing as much information available (thanks YouTube!) and it was SO fulfilling. But like, who leaves a cushy gig to trek into the great unknown. But, nailsmade my heart feel things I didn’t think I’d ever be able to feel again.

After doing some research, I found a local school that offered flexible scheduling and night classes. I finished, got licensed and the rest is history. It was the right ladder, the right wall and the right path. The later-in-life love that I found and was fortunate enough to make a reality. 


I also want to say THANK YOU to everybody in the industry that was so generous with sharing their knowledge, whether through online content, in-person classes, YouTube videos, email or just friendship in general. Thank you to the makeup artists from my past who were eager to bring me onto shoots and help me ease back into the industry. I honestly never thought I’d be on set again and once I got back, it was like I never left. It was HOME. Thank you to the photographers and fellow creatives that I’ve met and had instant soulmate friend connections with. Just all of it and all of YOU. I vow to always be generous with my knowledge and to do everything that I can to elevate this wonderful industry to its rightful place. 


There’s a reason I’m a stickler and so passionate for the industry and our standing in it as manicurists, because I honestly don’t know what I’d be doing if I wasn’t a part of it. We’re in a place right now in America (and TBH the world) where everything feels topsy-turvy. California has been sheltering in place for MONTHS, I haven’t touched a client since mid-March will likely go another 2-3 months. While a pandemic is certainly not an artist retreat or motivational seminar, I’m doing my best and taking advantage of the downtime and trusting my instinct for adaptability.

Even with all of that, I still can’t picture myself doing anything else. Id’ rather be unemployed knowing that someday I’ll go back to holding hands with my clients and creating rad art. It took me a long time to get here. Making a career change in your thirties is hard- especially when it’s at a time in your life that expectations of other milestones are purported to give life as a woman meaning and purpose (i.e. getting pregnant and having kids). The only advice I can give is to just put in the work and trust yourself. Learn everything you can. Be generous. Follow your path and march to the beat of your own drummer. It’s worth it, I promise.

categories: Musings
Sunday 05.17.20
Posted by Rachel Messick
Comments: 1
 

I'M NOT A REGULAR AUNT, I'M A COOL AUNT

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Eighties Paradise is one of the most popular styles in my shop. Originally based off a freestyle design I created for a client. It was inspired by that bygone gauche era of status, indulgence, excess and prosperity. Everybody had a cool aunt. You know the one, the cool condo, the car phone the mauve leather sofa and wicker coffee table. The aunt who totally let you watch Dirty Dancing even though your parents wouldn’t allow it, maybe she took you to get your ears pierced and taught you the most important rule of growing up: it’s better to apologize than ask permission.

While I definitely have cool aunts, I kept envisioning our next-door neighbor, my mom’s friend Rosalind Tallerico when I was creating this set. I was a pretty sheltered kid, so it was always fun to escape to her house and watch cool movies and pretend I was a teenager. She was stylish , tan and had big hair. Her house was ALWAYS perfection because her husband was always on the road for work. I remember getting a perm in her garage, yes I already had curly hair, but I wanted that perm SO BAD. Oh man, the 80’s/Early 90’s WHAT A TIME TO BE ALIVE.

Anyhow, back to the nails…

This look is unique, visually dynamic and also TOTALLY wearable. Even for clients that are a bit gun-shy about nail art will love it.

I filmed myself creating a full set of press-ons so that you'll get to see how I create a balanced and cohesive look on all ten nails. It will also give you insight on my process when it comes to selecting products, purposeful placement and balancing random elements.


I can't wait to see you recreate this look and put your own spin on it.


Feel free to leave any questions in the comments below.

Products used:

Presto Gel JC-3

Kokoist E-127 Strawberry Latte & E-196S Tulip Petals

Orly GelFX Builder-in-a-Bottle

Aprés Non-Wipe Topcoat

Princess Nails Rainbow Mylar

Young Nails Gold Foil

Riccagel Color Gel Brush

Young Nails Gel Sculptor Brush

tags: Tutorial, pro tutorial, mixed media design
categories: Pro Tutorial
Monday 05.11.20
Posted by Rachel Messick
 

Put the Lime In The Coconut In the Ombré

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As the days get longer and the sun shines a little brighter, I had to create a perfect sparkly neon green ombré to welcome SUMMER with open arms! Can you believe it? Wasn’t it December like a week ago?

Gel Ombré can be pretty intimidating and clients LOVE them. I’ve spent hundreds of dollars trying to find a hack (most notably an airbrush and airbrush gel that was a HOT mess) to do them quickly. But there really is something to be said for the old adage that practice matters. If you don’t get this right away, keep practicing and you’ll get it in time. Don’t let a fear of failure keep you from trying.

Whether we are doing our own nails or a clients' nails, our biggest roadblock will always be our own perfectionism. This is one of those looks where you have to not only trust your skill and product knowledge, but you also have to trust the process. We're doing ultra thin layers with highly pigmented gels, it's gonna work out. Promise.  If anything goes awry, just add extra glitter.

Just remember two things: 

  • Use purposeful placement and lay the bulk of the color down conservatively and where you want the most intensity. For an ombre like this, the intensity is going to be closer to the tip of the nail, so you'll notice whenever I go into the green, I work from tip upward.

  •   It's easier to ADD color than to remove it. Work with sheer thin layers and build up to the coverage that you want. It's easier to fix any mistakes that way.

 

Notes on the products I used:

 I discovered the Medusa gel line through a fellow manicurist and I'm SO impressed with the color pay-off and the product consistency- it's the PERF texture for this kind of art. If you're looking to do a black or white ombre (baby boomer), I recommend checking out Aeropuffing Gel Paste- it's the best I've found for those particularly challenging colors. 


 Products used:

Aprés Soft-Gel Full Cover Tip in Short Round Natural

 Miho Nails Melty Gelato 

Medusa's Nails Green 14 

Daily Charme Dreamy Fairy Dust 

Concelect/Britney Tokyo Square Head Brush 

Latex-Free Makeup Wedge 

Palette Knife 

Palette (this is a quartz coaster I got from Saje)

Make-up Brush, cleaned and free of debris 

BioSeaweed Gel No-Wipe Topcoat

 

tags: Nail Art, Tutorial, OMbre
categories: Pro Tutorial
Monday 05.11.20
Posted by Rachel Messick
 
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